As I paint, I’ve been experimenting more with light-sensitive media. Rather than using cyanotype for traditional photographic purposes—which I did for many years, I now treat the solutions as a painting medium, layering them with natural pigments I collect locally, along with citric acids, salts, and other reactive materials. These elements are activated by sunlight, interacting with one another and the environment in unpredictable ways. The chemistry remains alive unless I choose to “fix” it, which I’m resisting for now. Over time, the colors shift, the textures deepen, and new forms begin to emerge. The compositions begin and end with openness rather than control, curiosity rather than a fixed idea, a collaboration rooted in trust, reciprocity, exposure, environmental influence, and continuous change. Watching this strange, living brew come alive on paper takes my breath away.
A single composition formed on two panels- this is Heat and Matter panel (2).
Ink crafted from foraged basalt, ferric ammonium citrate, potassium ferricyanide, lemon juice, vinegar and salt on 1/4” plywood.
24” x 11 1/2” Unframed
60.96 cm x 29.21 cm
Signed and dated on the reverse
Copyright the artist
As I paint, I’ve been experimenting more with light-sensitive media. Rather than using cyanotype for traditional photographic purposes—which I did for many years, I now treat the solutions as a painting medium, layering them with natural pigments I collect locally, along with citric acids, salts, and other reactive materials. These elements are activated by sunlight, interacting with one another and the environment in unpredictable ways. The chemistry remains alive unless I choose to “fix” it, which I’m resisting for now. Over time, the colors shift, the textures deepen, and new forms begin to emerge. The compositions begin and end with openness rather than control, curiosity rather than a fixed idea, a collaboration rooted in trust, reciprocity, exposure, environmental influence, and continuous change. Watching this strange, living brew come alive on paper takes my breath away.
A single composition formed on two panels- this is Heat and Matter panel (2).
Ink crafted from foraged basalt, ferric ammonium citrate, potassium ferricyanide, lemon juice, vinegar and salt on 1/4” plywood.
24” x 11 1/2” Unframed
60.96 cm x 29.21 cm
Signed and dated on the reverse
Copyright the artist
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